The Dry Heart

From Natalia Ginzburg:

“Later that night, in my own room, when I was getting undressed and going to bed in the bed I had slept in ever since I was a child, a wave of terror and disgust came over me at the thought that soon Alberto and I would be married and make love together. I reassured myself with the idea that this was only because I had never made love before, but I remembered the slight disgust I felt every time he kissed me and wondered whether or not I really loved him. It’s very difficult, I thought to myself, to know what we’re really like inside. When it had seemed as if he were going out of my life I had felt so sad that I didn’t want to go on living, and yet when he entered my life as he did just now when he talked to my father and mother I was filled with terror and disgust. But I came to the conclusion that I only needed to be a little braver because all girls must feel somewhat the same way. It’s probably a mistake to follow every meandering of our feelings and waste time listening to every echo from within. That, in fact, is no way to live.” pg 90

We shall see

Melville House has put out about half as many contemporary novella-ists within their The Art of the Novella series as dead ones. All our favorites dead ones are there: Tolstoy, Balzac, Conrad. It’d be a somber squeeze to share shelf space with Woolf and Pushkin, but alive and kicking Alejandro Zambra’s Bonsai breathes evenly and unrestricted between such greats.

 

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